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By recutting the existing footage and dubbing in new dialogue, the producers opted for a more “upbeat” ending. The solution: fix the problem in the editing room. It was just too strong and it detracted from the film.” That would have been the last image of him, screaming, ‘That day is upon you now!’ It was a pretty violent ending. Instead of being a flawed hero, he was a villain and you really didn’t want that. Offers Capra, “To end with the end of the human race was dissatisfying to us. It was a very violent ending and we had to change it around and make it a happy ending.” We were getting complaints at the preview in Phoenix. You know, we had to take it back into the editing room. “In fact, the original film was so strong that it couldn’t be shown. “ Conquest was a really good, strong, political statement,” offers Thompson. The city is in flames, humans are dying by the dozen, gorillas have brought the battered body of Governor Breck (Don Murray) to lay before Caesar, and Man’s fate is not.hopeful.
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In its own way, the conclusion of Conquest was as powerful as anything that the series had offered before. It’s a wonderful piece of acting, actually. That was the success of it, because that character became like a real person. He would discuss each scene as if he were doing Shakespeare - which was marvelous.
His enthusiasm and the way he would talk was simply amazing. You would think, seeing him in Conquest, that he was playing the role for the first time. And each one individually, as if it was the first film. “He would approach these roles as if he were doing Shakespeare. “Roddy was marvelous,” Thompson enthuses. One of the reasons it was successful is that people who went to see the movie were harkened back to those images from about a year before.”įor Thompson, one of the reasons the film has such power is because of McDowall’s riveting performance. Even though he wasn’t saying, ‘These are black people rising against white people,’ the imagery of the riot created in his mind the kind of look that he wanted to create in the riot scenes and did. Here we were talking about some sort of uprising at night in the city, and he saw there was an immediate connection. “Television covered it enormously, day and night, so these images were just in everybody’s mind, especially in the LA area and probably most of the country. “The imagery of the Watts riots had been played on television night after night after night,” he says. Lee Thompson was definitely trying to create an allegory to the Watts Riots of the early 1970’s. While Capra admits that he’s not sure how far to “the left” Dehn may have been socially, he’s absolutely convinced that director J.
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We had that as an overall umbrella and we had to figure out how to do it within the time frame.” Although we were within the larger sense of telling this arc of a story of how the apes rose. That’s a new twist a new piece of action or a new character.’ Because it’s pretty hard to keep telling the same story. Arthur’s feeling was that each time we had to do something new so the audience would come again and say, ‘Gosh, that’s something we hadn’t thought of. He wanted to go back to a more traditional Planet of the Apes theme. “He didn’t want to try to recreate something along the lines of Escape. “ Arthur Jacobs wanted to go back to a kind of scale-and-scope-size film,” explains associate producer Frank Capra, Jr. In brief, the plot has Caesar (Roddy McDowall), the grown up child of Cornelius and Zira, arriving in Los Angeles and ultimately leading the slave apes in revolt against their human masters, thus paving the way for apes to rule the planet. Having begun as pets, they end, as our film opens, as slaves.” "The monkeys," he added, "were, at first, pets like dogs, and like dogs it was found that they could be taught to do simple things, menial tasks like fetching a newspaper, bringing in master’s slippers and, being apes, they were far more intelligent than dogs, so very soon they began to do very much more difficult things like bed-making, cooking, sweeping, and cleaning, and they became the servants of mankind. So the human race was without pets and they started looking around for something else and began to get monkeys, which was all mentioned in Apes 3. If you remember, there was a plague of cats and dogs which was discussed in Apes 3, when all the cats and all the dogs on Earth had died. In detailing the genesis of his scenario for the film, screenwriter Paul Dehn explained, “It is about the intermediate stage. Even before the release of Escape, talk had turned to a fourth entry, to be called Conquest of the Planet of the Apes.
As the Planet of the Apes series continued - following the 1968 original, 1970’s Beneath and 1971’s Escape - it no longer seemed to be a question of whether or not there would be another sequel, but how quickly it would be mounted.
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